Robert randolph colorblind

Robert randolph colorblind

Colorblind expands the Robert Randolph & the Family Band's palette -- on tape anyway, they've been doing stuff like this on the stage for years -- stretching out from the blues ledge into gospelized, gritty funk and soul, and expanding those genres in the process. Using a group of producers from cut to cut, the Family Band takes no prisoners in /5(4). Official website for Robert Randolph and The Family Band. Home Tour Dates Music Videos Bio Store Photos News Brand new album by Robert Randolph & The Family Band. Backing Vocals – Lenesha Randolph Bass, Vocals – Danyel Morgan Coordinator – Dave Huyonug Drums – Marcus Randolph Edited By [Digital] – Andy Selby, Drew Douthit Engineer [Additional Protools] – John Hanes Lead Vocals, Guitar, Vocals – Robert Randolph Mixed By – Serban Ghenea Mixed By [Assistant] – Tim Roberts Musician /5(11). Oct 09,  · Colorblind (Deluxe Version) Robert Randolph & The Family Band Rock ; Listen on Apple Music. Listen on Apple Music. EDITORS’ NOTES. Robert Randolph learned his trade as a pedal steel guitarist at his Orange, NJ church and his group made an immediate impact on the jam-band circuit, opening for the North Mississippi All-Stars and Medeski. Jul 19,  · Product Description. On Colorblind, the third album from Robert Randolph & The Family Band, Eric Clapton, Dave Matthews, and Leela James join for a jam-packed, emotion-filled, good-time party mix of funk, soul, rock, gospel, and blues/5(58).

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Ship This Item — This item is available online through Marketplace sellers. Overview Those who became aware of Robert Randolph's considerable musical gifts on either the awesome Live at the Wetlands or on the underrated Unclassified are in for a surprise.

Robert randolph colorblind

Using a group of producers from cut to cut, the Family Band takes no prisoners in this wildly crazy and utterly joyous mix of musical forms and flavors. Sure, it's a bit slicker than Live at the Wetlands , but not in any detrimental way.

Robert randolph colorblind

This is what these cats have been laying down for awhile now. It's been their vision and they've finally brought it into the studio. The opening joint is a stomping wail called "Ain't Nothing Wrong with That" that features the Family Band chanting a refrain, handclaps, and killer female backing vocals as well as Jason Crosby's B-3, as Randolph's pedal steel hovers above before coming in for the killing groove.

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But that's only a hint. In "Deliver Me," the sound of Sly and P-Funk come home to roost in the pile-driving rock and funk mix that once again is drenched in spirituality. Even in the love song -- "Diane" -- the groove is thick and sweaty with Randolph just burning in his fills and a horn section laying down charts Sly Stone could have written.

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  • Yeah, now this is how to celebrate romance baby! But they can slow it down, too. Jason Crosby's B-3 lays down the church vibe as the band sings it sweet and spiritual. Much is made of Eric Clapton's guest spot on "Jesus Is Just Alright," but let's face it, Clapton is simply outclassed, here musically and vocally.

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    A far better match for this nugget would have been the intrepid Delaney Bramlett , who taught Clapton how to sing like that in the first place and can play guitar like a true Southern bluesman. But whatever; if it gets the record heard by the general public, that's a plus.

    She is a gospel singer of the first order, full of deep feeling soul. Written by Randolph, Crosby and Morgan, R.

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    Kelly will flip when he hears the genuine uplifting emotion in this tune, which has a true ability to bring folks together. He'll wish he'd written and produced it.

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  • The slippery backbeat in "Blessed" is simply infectious and "Love Is the Only Way," with Matthews, Leroi Moore and Rashawn Ross , works on the Southern soul groove despite the crowd, thanks in part to a killer horn chart and the alternating vocals, as well as Randolph's tasty fills and the backing chorus.

    Cuts like "Thrill of It," bring the funk and roll back with a vengeance, as much as "Thankful and Thoughtful" brings that Funkadelic stroll to the backbone and lets it slip, all greasy like. And the final track, "Homecoming," brings us all back home starting all slow and sleek, bringing its gospel to the street where the monster funk comes to church.

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    Oh yeah. This is the song-oriented record that the Family Band needed to make, and it in no way diminishes Randolph's instrumental acumen; he's everywhere, man. Colorblind is the record some bands never reach the maturity to make, and the Family Band has pulled this together on just their second studio outing.

    It's not only mature, it's a smoking slab of goodness and heat.

    Robert randolph colorblind

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